Many remarkable performances fueled the Royal’s mini-festival of ballets by Frederick Ashton, the company’s founding choreographer. By Roslyn Sulcas Reporting from London Dance, people like to say, is ...

A farewell to Armand: Zenaida Yanowsky and Roberto Bolle as the titular characters in Frederick Ashton's 'Marguerite and Armand'. It was in this piece three years ago that I first saw Marianela Nuñez ...

The leaders and dancers of The Sarasota Ballet have mostly returned home from their first-ever international performances in London last month, but a Zoom interview with several of them this week ...

Primrose path: Artists of the Royal Ballet in 'Les Rendezvous', Frederick Ashton's first significant ballet, made in 1933 The company as a whole has rarely looked better in any Ashton ballet, bending ...

Dance of the Blessed Spirits (1978) was originally choreographed for Anthony Dowell to music by Christoph Willibald Gluck, and for this performance, Royal Ballet First Soloist Joseph Sissens joined ...

The Royal Academy of Dance (RAD) has announced a new collaboration with The Frederick Ashton Foundation. This year, as part of the prestigious Margot Fonteyn International Ballet Competition (The ...

Add Yahoo as a preferred source to see more of our stories on Google. An excerpt of a Sarasota Ballet performance of Frederick Ashton’s “Sinfonietta,” which will be part of its program at The Royal ...

Sixteen 2nd Year students presented choreographic works at The Royal Ballet School’s Frederick Ashton Emerging Choreographer performance in May. The event concluded the School’s annual Choreographic ...

Peter Schaufuss was just five years old when Frederick Ashton came to Copenhagen in 1954 to begin choreographing the first “Romeo and Juliet” ballet in the West for the Royal Danish Ballet. Both his ...

In 1990 Margaret Barbieri, having retired after 25 years dancing with the Sadlers Wells Royal Ballet in London, was offered a job to direct abroad. She and her fellow dancer and husband, Iain Webb, ...