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Curator, Christophe Cherix: In Cut Piece, members of the audience were invited to approach and cut away pieces of Ono’s clothing, as she knelt silently on a stage. Yoko Ono: When I do the Cut Piece, I ...

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“It’s like a fellow I once knew in El Paso. One day, he just took all his clothes off and jumped in a mess of cactus. I asked him that same question, ‘Why?’ He said, ‘It seemed to be a good idea at ...

The reunion of Pettibon’s own text—which is often missing or covered over on Black Flag materials—with his drawings reveals the enigmatic, haunting quality of his work, something far more compelling ...

“Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take ...

We hope these will help create even the smallest shift to make things a bit more bearable. It’s okay to feel grief, anger, confusion, and to feel exhausted, unfocused, and unmotivated. Just like this ...

An homage in three acts: Louise Lawler shares a postcard, Christopher Williams remembers Baldessari’s studio, and Stephen Prina sings one of the great Conceptualist’s paintings. Christopher Williams, ...

Just as historical time moves without linear progression, the narrative time of Salacia ebbs and flows so that the words with which Jones begins seem to touch her last utterances. Salacia opens with a ...

I do not remember when I first met Richard Serra. But I do remember the first time I was bowled over by his work. It was in the fall of 1996 when I saw the monumental 58x64x70—the title describes the ...

You raise such a crucial aspect of her adventure, especially in this moment when the self—the self as brand, the artist as lifestyle influencer—reigns supreme. By doing the work of others, Sturtevant ...

Hear from artists, writers, and therapists about what happens when art and grief collide.