International exhibitions in April, May and June at Kunstmuseum Basel, Red Brick Art Museum, National Portrait Gallery and ...

Instead of being ticketed at the door to the auditorium, one required a ticket to enter the foyer, thus making the normally ...

Prof. Dr. Maria Böttche: ‘The Traces of War: Trauma and Its Consequences’ ...

Gillian Osborne interviews artist Jagoda Bednarsky about her abstract paintings of breast landscapes, under the featured ...

An Interview with Lesia Vasylchenko by Maria Isserlis // Mar. 27, 2026. Kyiv-born, Norway-based artist Lesia Vasylchenko ...

Lars Holdgate interviews curator of the group exhibition ‘Queer Art in the GDR?’ at KVOST, nGbK, Museum der Dinge and Mitte ...

Finite Jest’ at Sophiensaele by Alice Heyward // Mar. 23, 2026. What’s worse than the insincerity of comedy as a response to ...

NOW! Korean Video Art Today’ at MASI Lugano by Carolina Sculti // Mar. 20, 2026. Overlooking Lake Lugano in Switzerland, the ...

This article is part of our feature topic Abjection. Abjection and power go together like Deleuze and Guattari, but it’s not always clear which one is in charge. Power dynamics lie at the heart of ...

This article is part of our feature topic Abjection. Abjection often conjures images of horror—filth, ugliness, death—in their most visceral, corporeal form. Yet what we tend to neglect are abject ...

This article is part of our feature topic Abjection. French feminist philosopher Julia Kristeva opens her 1980 essay on abjection, entitled ‘Powers of Horrors,’ as follows: “There looms, within ...

The opening image of Graciela Iturbide’s retrospective ‘Eyes to Fly With’ at C/O Berlin is a poetic visualization of the title itself. It features a self-portrait of the artist holding two dead birds ...