When Gustave Caillebotte was a child in Paris in the mid-1800s, he had no real intentions of becoming a painter. He earned a law degree in 1868 and began his practice two years later. The art world ...
Since it was acquired in 1964, Gustave Caillebotte’s “Paris Street; Rainy Day” has become all but synonymous with the Art Institute. It appears in the movie “Ferris Bueller’s Day Off,” and in ...
Monet … Degas … Renoir. When we think of French Impressionism, it's the usual suspects who spring to mind. But one lesser-known artist is ripe for rediscovery ...
In a sea of reds, the Art Institute of Chicago’s “Gustave Caillebotte: Painting His World” explored the wide variety of interests and works of the famous impressionist painter Gustave Caillebotte in a ...
Beginning June 29, the Art Institute of Chicago will be showcasing the art of Gustave Caillebotte in a major exhibition that explores the very personal interests and relationships that shaped his ...
reporting from WASHINGTON — In the late 19th century, everyone looked on Gustave Caillebotte as a leading painter of the Impressionists. He took part in five of the eight exhibitions that the ...
Five little-known works by the Impressionist painter Gustave Caillebotte, which belonged to the artist’s butler, are now on view at the Musée d’Orsay. They are a remarkable gift made by the great ...
To a greater extent than almost any of his contemporaries, Gustave Caillebotte had the gift of stillness. This might seem an odd claim to make about an impressionist, one member of that band of ...
When the new, career-defining survey of Gustave Caillebotte opened in late June at its final stop, the Art Institute of Chicago (AIC), the checklist was very similar to previous versions at the Musée ...
Reporting from FORT WORTH — I’ve tried with Gustave Caillebotte. Really, I have. Surely any artist who could produce as sensational a painting as “Paris Street; Rainy Day” is major. The monumental ...
We read with interest Hannah Edgar’s feature “How light a touch is too light?” (Aug. 3) about the handling of Gustave Caillebotte’s sexuality by the Art Institute and the renaming of the exhibition ...
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