Gillian Osborne interviews artist Jagoda Bednarsky about her abstract paintings of breast landscapes, under the featured ...
An Interview with Lesia Vasylchenko by Maria Isserlis // Mar. 27, 2026. Kyiv-born, Norway-based artist Lesia Vasylchenko ...
Lars Holdgate interviews curator of the group exhibition ‘Queer Art in the GDR?’ at KVOST, nGbK, Museum der Dinge and Mitte ...
Berlin Art Week is now accepting applications for its Featured section as part of the 15th edition of the festival, taking place from September 9th to 13th, 2026. This open call invites Berlin-based ...
Finite Jest’ at Sophiensaele by Alice Heyward // Mar. 23, 2026. What’s worse than the insincerity of comedy as a response to ...
NOW! Korean Video Art Today’ at MASI Lugano by Carolina Sculti // Mar. 20, 2026. Overlooking Lake Lugano in Switzerland, the ...
It is an ethereal constellation of floating forms and a continuation of a motif (the cloud) that South African artist Igshaan ...
An Interview with William Joys by William Kherbek // Mar. 17, 2026. This article is part of our feature topic Abjection.
This article is part of our feature topic Abjection. Abjection often conjures images of horror—filth, ugliness, death—in their most visceral, corporeal form. Yet what we tend to neglect are abject ...
This article is part of our feature topic Abjection. French feminist philosopher Julia Kristeva opens her 1980 essay on abjection, entitled ‘Powers of Horrors,’ as follows: “There looms, within ...
The opening image of Graciela Iturbide’s retrospective ‘Eyes to Fly With’ at C/O Berlin is a poetic visualization of the title itself. It features a self-portrait of the artist holding two dead birds ...
Our suffering amidst the trash heap of contemporary life often feels sealed and inevitable. As Michael Marder says, our alienation is being alienated. Countering the passive consumption of today’s ...
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